Theory & Essays
Creators | Title | Comments & References | Year | Source | Page | AA | Categories | |
---|---|---|---|---|---|---|---|---|
The Visible Invisible | 1784 | |||||||
Henri Decremps | Préambule du Testament et principes généraux | 1786 | ||||||
Professor Hoffmann | Introduction | 1876 | ||||||
Professor Hoffmann | The Value of Personal Instruction | 1876 | ||||||
Professor Hoffmann | Concealing the Cause | 1876 | ||||||
Professor Hoffmann | The "Click" and Delaying the Effect | 1876 | ||||||
Professor Hoffmann | Electrical Tricks | 1876 | ||||||
Professor Hoffmann | Concluding Observations | 1876 | ||||||
Professor Hoffmann | Sleeve as Explanation for Spectators | 1890 | ||||||
Friedrich W. Conradi-Horster | On Accidental Convincers | 1896 | ||||||
Carl Willmann | On Common Objects | Apr. 1896 |
Die Zauberwelt
(Vol. 2 No. 4)
|
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Carl Willmann, David Devant | Wie Devant einen Ring vertauscht | Sep. 1897 |
Die Zauberwelt
(Vol. 3 No. 9)
|
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Friedrich W. Conradi-Horster | Schule der Magie - Einleitung | Jan. 1898 |
Der Zauberspiegel
(Vol. 3 No. 7)
|
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Friedrich W. Conradi-Horster | Schule der Magie | Feb. 1898 |
Der Zauberspiegel
(Vol. 3 No. 8)
|
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Friedrich W. Conradi-Horster | Schule der Magie | Mar. 1898 |
Der Zauberspiegel
(Vol. 3 No. 9)
|
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Friedrich W. Conradi-Horster | Schule der Magie | Apr. 1898 |
Der Zauberspiegel
(Vol. 3 No. 10)
|
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Friedrich W. Conradi-Horster | Schule der Magie | May 1898 |
Der Zauberspiegel
(Vol. 3 No. 11)
|
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C. Vogel, Carl Willmann | Eine neue Volte mit einer Hand | Feb. 1899 |
Die Zauberwelt
(Vol. 5 No. 2)
|
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S. W. Erdnase | Uniformity of Action | 1902 | ||||||
S. W. Erdnase | Deportment | 1902 | ||||||
S. W. Erdnase | Display of Ability | 1902 | ||||||
S. W. Erdnase | Effect of Suspicion | 1902 | ||||||
S. W. Erdnase | Acquiring the Art | 1902 | ||||||
S. W. Erdnase | Importance of Details | 1902 | ||||||
Charles Lang Neil | The Principles of Natural Magic | 1902 | ||||||
Charles Lang Neil | Manner and Gesture | 1902 | ||||||
Charles Lang Neil | The Conjurer's Clothes | 1902 | ||||||
Professor Hoffmann, Professor Anderson | Excessive Use of Apparatus | 1903 | ||||||
Professor Hoffmann | What is Best? | 1903 | ||||||
Friedrich "Fritz" Hügli | II. Die moderne magische Kunst | 1903 | ||||||
Friedrich "Fritz" Hügli | III. Die Elemente der Täuschung | 1903 | ||||||
Friedrich "Fritz" Hügli | Die psychologischen Hilfsmittel | 1903 | ||||||
Friedrich "Fritz" Hügli | Die Grundregeln | 1903 | ||||||
Friedrich "Fritz" Hügli | I. Der Salon als Zauberbühne | 1903 | ||||||
Friedrich "Fritz" Hügli | VI. Der Regiezettel | 1903 | ||||||
John Northern Hilliard, T. Nelson Downs | Don'ts | 1909 | ||||||
Friedrich "Fritz" Hügli | Ueber den Wert der magischen Kunst | 1926 | ||||||
Jack Merlin | Theory | 1927/28 | ||||||
Jack Merlin | Practice | 1927/28 | ||||||
Nelson Hahne | The Theory of Deception | 1930 | ||||||
Nelson Hahne | Method of Analysis | 1930 | ||||||
Lu Brent | A Waste Paper Basket | 1932 | ||||||
Jean Hugard | Introduction - The Importance of Showmanship | 1935 | ||||||
Theodore Annemann | Think It Over! | May 1936 |
The Jinx
(Issue 20)
|
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Theodore Annemann | Think It Over! | June 1936 |
The Jinx
(Issue 21)
|
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Theodore Annemann | Suggested Programs No. One - A Club Act of Magic | 1936 |
The Jinx
(Issue Summer Extra 1936)
|
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Theodore Annemann | Suggested Programs No. Two - A Mental Club Act | Aug. 1936 |
The Jinx
(Issue 23)
|
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Jean Hugard | Finger Practice | 1936 | ||||||
Jean Hugard | Easy Moves With One Thimble | 1936 | ||||||
Jean Hugard | Advanced Finger Practice | 1936 | ||||||
Victor Farelli | For Artists Only | 1936 | ||||||
Victor Farelli | "Culling" | 1936 | ||||||
Victor Farelli | Lady Volunteer Assistants | 1936 | ||||||
Theodore Annemann | Suggested Programs No. Three - A Magical Club Routine | Mar. 1937 |
The Jinx
(Issue 30)
|
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Theodore Annemann | Suggested Routines No. Four - A No Card Mystery Act | July 1937 |
The Jinx
(Issue 34)
|
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Ellis Stanyon | The Stanyon Lessons for the Cups and Balls | Sep. 1937 |
The Jinx
(Issue 36)
|
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Theodore Annemann | Suggested Routines No. Five - "No Code" Telepathy | Nov. 1937 |
The Jinx
(Issue 38)
|
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David "Fu Manchu" Bamberg | Stage Presentation | 1938 | ||||||
Orville Wayne Meyer | Suggested Routine No. 6 - "Strictly Impromptu" | Oct. 1938 |
The Jinx
(Issue 49)
|
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Theodore Annemann | A 68 Cent Patent | Oct. 1939 |
The Jinx
(Issue 62)
|
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Oscar Weigle, Robert Parrish | A Club Routine of General Magic | 1939 | ||||||
Jean Hugard | Introduction - Extempore Magic | 1939 | ||||||
Jean Hugard, Frederick Braue | Misdirection | 1940 | ||||||
Paul Rosini | Etchings in Magic | 1940 |
The Jinx
(Issue 105)
|
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Oscar Thomson | Memory Aid for Programs | 1940 |
The Jinx
(Issue 111)
|
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Theodore Annemann | Playing Card Squiggles | 1940 |
The Jinx
(Issue 115)
|
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George Johnson | Your Magical Scrapbook | 1940 |
The Jinx
(Issue 118)
|
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Harry Houdini | Houdini's Book Identification System | 1940 |
The Jinx
(Issue 119)
|
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Charles Hopkins | Whose Fault When Things Go Wrong? | 1940 | ||||||
Charles Hopkins | The Psychology of Failure | 1940 | ||||||
Charles Hopkins | Use of "Sucker Gag" Technique | 1940 | ||||||
Charles Hopkins | Secret And Open Outs | 1940 | ||||||
Charles Hopkins | When Error Is Still Under Cover | 1940 | ||||||
Charles Hopkins | When Error May Be Visible | 1940 | ||||||
Charles Hopkins | Either You Know You Are Wrong - Or Else... | 1940 | ||||||
Charles Hopkins | This Time You MUST Be Right | 1940 | ||||||
Charles Hopkins | Attitudes That Get Co-operation | 1940 | ||||||
Charles Hopkins | 8 - Use a thumb writer. | 1940 | ||||||
Charles Hopkins | 9 - Impression methods. | 1940 | ||||||
Charles Hopkins | 10 - Pencil reading. | 1940 | ||||||
Charles Hopkins | 11 - Friendly mirrors. | 1940 | ||||||
Charles Hopkins | Old Ideas Brought Up To Date; Also, A Few New Ones | 1940 | ||||||
Charles Hopkins | Other Useful Standard Sleights | 1940 | ||||||
Charles Hopkins | Fit The Weapon To The Needs | 1940 | ||||||
Charles Hopkins | Getting Down To Brass Tacks--- And The Selected Card | 1940 | ||||||
Charles Hopkins | "Outs" Productions From Pockets And Other Places | 1940 | ||||||
Charles Hopkins | 31 - Use of spectators for "outs" | 1940 | ||||||
Charles Hopkins | Apparatus Alibis | 1940 | ||||||
Charles Hopkins | First Aid For Feeble Memories | 1940 | ||||||
Charles Hopkins | "Outs" Compared with Challenges | 1940 | ||||||
Charles Hopkins | A Word of Caution | 1940 | ||||||
Charles Hopkins | Try To Keep As Much Control As Possible | 1940 | ||||||
Charles Hopkins | How "Plenty of Rein" Trips Them | 1940 | ||||||
Charles Hopkins | The Magician's Little Helpers | 1940 | ||||||
Charles Hopkins | When Information-Getting Becomes Ticklish | 1940 | ||||||
Charles Hopkins | They Commit Themselves In Writing | 1940 | ||||||
Charles Hopkins | 51 - Pencil reading. | 1940 | ||||||
Charles Hopkins | 53 - Billet index. | 1940 | ||||||
54 - Pad impressions. | 1940 | |||||||
Charles Hopkins | 55 - Trick notebooks. | 1940 | ||||||
Charles Hopkins | 56 - A "Case of Hambuggery" | 1940 | ||||||
Charles Hopkins | A Prophet In his Own Land | 1940 | ||||||
Charles Hopkins | 57 - Thumb writers. | 1940 | ||||||
Charles Hopkins | What Makes Audiences Get That Way | 1940 | ||||||
Charles Hopkins | Circumstances That Lead Up To Challenges | 1940 | ||||||
Charles Hopkins | Specific Handling of Various Situations | 1940 | ||||||
Charles Hopkins | The Heckler... Ding Bust His Buttons! | 1940 | ||||||
Charles Hopkins | For The Intelligent Analyst Type | 1940 | ||||||
Charles Hopkins | Troubles Arising Out of Pure Friendship | 1940 | ||||||
Dr. Stanley Jaks | Jaks plaudert über Mikromagie | 1940 |
Hokus Pokus
(Vol. 2 No. 1)
|
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Friedrich "Fritz" Hügli | Aus den unveröffentlichten Werken Fritz Hügli's | Oct. 1940 |
Hokus Pokus
(Vol. 2 No. 2&3)
|
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Eddie Joseph | Misdirection Techniques | 1940 / 1992 | ||||||
Edward Victor | A Word on Tables | 1940 ca. | ||||||
Fulton Oursler | The Sane Viewpoint of Exposure | 1941 |
The Jinx
(Issue 125)
|
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Cagliostro, Jr. | Fifth Row, Center Aisle | 1941 |
The Jinx
(Issue 128)
|
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Cagliostro, Jr. (reviewer) | S.A.M. Benefit Show | 1941 |
The Jinx
(Issue 129)
|
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Theodore Annemann | Suggested Program No. 7 - "A Varied Magic Act" | 1941 |
The Jinx
(Issue 129)
|
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Rhadamanthus, Jr. (reviewer) | The Old Timers of the Y.M.H.A. present Master Magicians in "A Night of Magic" | 1941 |
The Jinx
(Issue 130)
|
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Charles J. Maly | The Health Magician | 1942 |
Ireland's Yearbooks
(Issue Yearbook 1942)
|
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Walter B. Gibson | The Back Room | Apr. 1942 |
The Phoenix
(Issue 5)
|
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Eddie Joseph | Part One - Some Sl(e)ight Changes in Some Standard Sleights | 1942 | ||||||
Dr. William Weyeneth | Der Künstler auf der Bühne Richtlinien grundsätzlicher Natur | Nov. 1942 |
Hokus Pokus
(Vol. 4 No. 11)
|
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Bruce Elliott | The Back Room | Dec. 1943 |
The Phoenix
(Issue 49)
|
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Jean Hugard | Editorial - What is Magic? | Sep. 1943 |
Hugard's Magic Monthly
(Vol. 1 No. 4)
|
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Hans "Severus" Ernst | La Magie de Salon | 1943 |
Hokus Pokus
(Vol. 5 No. 4)
|
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Claude | La presentation et le boniment | 1943 |
Hokus Pokus
(Vol. 5 No. 4)
|
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Alfred "Agys" Gysler | Gedanken über die Ausstattung | 1943 |
Hokus Pokus
(Vol. 5 No. 4)
|
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Laurie Ireland | Dressing Up the Show | 1944 |
Ireland's Yearbooks
(Issue Yearbook 1944)
|
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Jean Hugard | Gestures | Feb. 1944 |
Hugard's Magic Monthly
(Vol. 1 No. 9)
|
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Jean Hugard | Bare Stage Bugbear | Feb. 1944 |
Hugard's Magic Monthly
(Vol. 1 No. 9)
|
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Jean Hugard | Exposures | Dec. 1944 |
Hugard's Magic Monthly
(Vol. 2 No. 7)
|
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John Mulholland | What Manner of Man | 1944 | ||||||
John Mulholland | The Secrets Unraveled | 1944 | ||||||
Hans "Severus" Ernst, Alfred "Agys" Gysler | Achtung! Lebensgefahr! Falsche Magier! | 1945 |
Hokus Pokus
(Vol. 6 No. 4)
|
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Henri Decremps | Vieux principes | 1945 |
Hokus Pokus
(Vol. 6 No. 4)
|
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Das A und O der Vorführung | 1945 |
Hokus Pokus
(Vol. 6 No. 4)
|
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Friedrich "Fritz" Hügli | Anforderungen | 1945 |
Hokus Pokus
(Vol. 6 No. 4)
|
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Alfred "Agys" Gysler | 3. Vorführungsformen | 1945 |
Hokus Pokus
(Vol. 7 No. 1&2)
|
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Frank De Sua | You Can't Lose - Apparently! | 1946 |
Ireland's Yearbooks
(Issue Yearbook 1946)
|
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Laurie Ireland | Routining for the 'Little Fellow' | 1946 |
Ireland's Yearbooks
(Issue Yearbook 1946)
|
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Friedrich "Fritz" Hügli | Die magische Täuschung | 1946 |
Hokus Pokus
(Vol. 7 No. 4)
|
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Jean Marc Bujard | 1-2-3 , disparaissez | 1946 |
Hokus Pokus
(Vol. 7 No. 4)
|
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J. B. Bobo | Bobo System of Card Control | 1947 | ||||||
J. B. Bobo | The Art of Sleeving | 1947 | ||||||
Carl "J. N. Teroga" Schnetzer | Erfolgs Psychologie des Zauberkünstlers | 1947 |
Hokus Pokus
(Vol. 9 No. 1)
|
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Bob Rettew | Cashing in on Close Up Magic | 1948 |
Ireland's Yearbooks
(Issue Yearbook 1948)
|
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Carl D. Shoemaker | Magic vs. Science - A Lecture on Magic | 1948 |
Ireland's Yearbooks
(Issue Yearbook 1948)
|
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Arthur H. Buckley | The Principles of Magic | 1948 | ||||||
Paul LePaul | Preface | 1949 | ||||||
Paul LePaul | Simplicity - The Keynote to Good Magic | 1949 | ||||||
Frances Ireland Marshall | Rabbits is Extra | 1949 |
Ireland's Yearbooks
(Issue Yearbook 1949)
|
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Frederick A. Thomson | Minor and Major Misdirection | Jan. 1949 |
Hugard's Magic Monthly
(Vol. 6 No. 8)
|
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Carl "J. N. Teroga" Schnetzer | eine Brr... Lücke, Lücke | 1949 |
Hokus Pokus
(Vol. 10 No. 3)
|
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Lewis Ganson | Presentation of Manipulation | 1950 | ||||||
Dr. Stanley Jaks | Introduction | 1951 | ||||||
Dr. William Weyeneth | Mehr Logik beim Zaubern | 1951 |
Hokus Pokus
(Vol. 12 No. 1&2)
|
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Dr. William Weyeneth | Zur Problematik einer Rangstufe an Kongress-Wettbewerben | 1951 |
Hokus Pokus
(Vol. 12 No. 4&5)
|
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Bill Simon | Specialization | 1952 | ||||||
Bill Simon | The Importance of Practice | 1952 | ||||||
Bill Simon | The Necessity of Trial | 1952 | ||||||
Bill Simon | Understanding Theory | 1952 | ||||||
Bill Simon | The Importance of Studying Simple Moves | 1952 | ||||||
Bill Simon | Manipulation | 1952 | ||||||
Bill Simon | Technicalities | 1952 | ||||||
Bill Simon | The Art of Presentation | 1952 | ||||||
Bill Simon | Spontaneous Resourcefulness | 1952 | ||||||
Bill Simon | Conjurer vs. Gambler | 1952 | ||||||
Bill Simon | The Best Magic | 1952 | ||||||
Bill Simon | Handling | 1952 | ||||||
Bill Simon | Cultivating Originality in Presentation | 1952 | ||||||
Bill Simon | Unprepared Cards | 1952 | ||||||
Bill Simon | Present Day Sophistication | 1952 | ||||||
Bill Simon | Audience Participation | 1952 | ||||||
Bill Simon | Patter | 1952 | ||||||
Bill Simon | Poker Cards vs. Bridge Cards | 1952 | ||||||
Bill Simon | Accessories | 1952 | ||||||
Bill Simon | Originality | 1952 | ||||||
Theodore Annemann | Introduction | 1952 | ||||||
Carl "J. N. Teroga" Schnetzer | Klimax | 1953 |
Hokus Pokus
(Vol. 14 No. 4)
|
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Bill Simon | In General | 1954 | ||||||
Kirk Stiles | How to Learn Magic Tricks | Mar. 1954 |
The New Phoenix
(Issue 303)
|
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Friedrich "Fritz" Hügli | Falsche Bezeichnung der Zauberkunst | 1954 |
Hokus Pokus
(Vol. 15 No. 1)
|
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William Lindsay Gresham | Education for Magic | 1955 |
Ireland's Yearbooks
(Issue Yearbook 1955)
|
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John Ramsay | A Wee Bit of Advice | 1955 |
The New Phoenix
(Issue 328)
|
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James G. Thompson Jr. | The Real Top Secrets | 1956 | ||||||
Taroh | Lampenfieber | 1956 |
Hokus Pokus
(Vol. 17 No. 3)
|
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Lewis Ganson | The Vernon Touch | 1957 | ||||||
Dr. Reuben Ligan | Facing Your Audience | 1957 | ||||||
Don Tanner | Mental Communications | Apr. 1957 |
The New Phoenix
(Issue 344)
|
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Bert Allerton | Rules for the Close-Up Magician | 1958 | ||||||
Tony Corinda | Summary of Technique | 1958 | ||||||
Bobby Bernard | The Purpose of Close Up Magic | 1958 | ||||||
Bobby Bernard | Good Taste in Close Up Magic - Points to Note When Performing. | 1958 | ||||||
Bobby Bernard | T.V. Close Up Magic | 1958 | ||||||
Rolf Andra | Magische Erfindungen - Zauberische Intuitionen | 1958 |
Hokus Pokus
(Vol. 19 No. 1)
|
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Max Bühler | Kleines A-B-C, zum Zaubern auf der Bühne | 1958 |
Hokus Pokus
(Vol. 19 No. 1)
|
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Georg Köhler | Religion und Magie | 1958 |
Hokus Pokus
(Vol. 19 No. 3)
|
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Otto "Sasso" Lutz | Die 2ten: Vorschlag eines alten Praktikers | 1958 |
Hokus Pokus
(Vol. 19 No. 5)
|
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Tony Corinda | (1) A Few Simple Rules for Working with Billets | 1959 | ||||||
Tony Corinda | The Essentials of Good Presentation | 1960 | ||||||
Tony Corinda | (A) Personal Appearance | 1960 | ||||||
Tony Corinda | (B) Manner and Speech | 1960 | ||||||
Tony Corinda | (c) Patter | 1960 | ||||||
Tony Corinda | (D) Good Effects | 1960 | ||||||
Tony Corinda | (E) Handling | 1960 | ||||||
Tony Corinda | (F) Timing | 1960 | ||||||
Tony Corinda | (G) Misdirection | 1960 | ||||||
Tony Corinda | (H) Co-Ordination | 1960 | ||||||
Charlie Miller | List of 40 Effects suitable for Children Shows | 1961 | ||||||
Charlie Miller | Charlie Miller's USO Act | 1961 | ||||||
Charlie Miller | Club Show (1936) | 1961 | ||||||
Charlie Miller | Charlie Miller's "Shell Christmas" Show Routine | 1961 | ||||||
Charlie Miller | Jack Merlin's Act | 1961 | ||||||
Alan Milan | A Few Thoughts on Radio Publicity | 1961 | ||||||
Dr. Stanley Jaks | Lektion in Magie | 1961 | ||||||
Dane Hooper, Jim Groves | On Misdirection | 1962 |
Ireland's Yearbooks
(Issue Yearbook 1962)
|
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Professor Melachini-Caligari | Über das Wesen der magischen Kunst | 1963 |
Hokus Pokus
(Vol. 24 No. 4)
|
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Theodore Annemann | Annemann's 68c patent | June 1963 |
The New Jinx
(Vol. 2 No. 14)
|
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Frances Ireland Marshall | What To Do When You Arrive | 1964 |
Ireland's Yearbooks
(Issue Yearbook 1963-64)
|
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Lewis Ganson | The Presentation Of Close-Up Magic | 1967 | ||||||
Charlie Miller | General Remarks | 1967 | ||||||
Charlie Miller | My Routine Outlined | 1967 | ||||||
Hugh Miller, Al Koran | Professional Presentation | 1968 | ||||||
How to Be a Comedian in One Easy Lifetime | 1968 |
Ireland's Yearbooks
(Issue Yearbook 1967-68)
|
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Duke Stern | Thoughts on Magical Comedy | 1968 |
Ireland's Yearbooks
(Issue Yearbook 1967-68)
|
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"Senator" Clarke Crandall | Magic Isn't Funny | 1968 |
Ireland's Yearbooks
(Issue Yearbook 1967-68)
|
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Gene Anderson | Rubber Cement | 1968 | ||||||
Gene Anderson | The Torn and Restored Newspaper | 1968 | ||||||
Gene Anderson | Historical Methods | 1968 | ||||||
Gene Anderson | Making the Most of the Newspaper Tearing Trick | 1968 | ||||||
Johann Nepomuk Hofzinser, Karl Fulves | On the Presentation of Mathematical Tricks | Winter 1969 |
The Pallbearers Review Vol. 5-8
(Vol. 5 No. 3rd Folio)
|
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Ellison Poland | Our Philosophy of Magic | 1969 | ||||||
Roy Walton | Conjurers, Laymen and Mirrors | Aug. 1969 |
Ibidem
(Issue 34 & 35)
|
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Roy Johnson | Viewpoint | 1970 | ||||||
Frederick M. Shields | Stagemanship | 1970 |
Magick
(Issue 1)
|
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Bascom Jones | Publicity for Magicians - Part 1 | 1970 |
Magick
(Issue 3)
|
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Bascom Jones | Publicity for Magicians - Part 2 | 1970 |
Magick
(Issue 5)
|
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Jack Kent Tillar | The Magic of Music ... and Vice Versa | 1970 |
Magick
(Issue 7)
|
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Frederick M. Shields | Music for Magic | 1970 |
Magick
(Issue 9)
|
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Milt Larsen | Comedy Magic is Serious Business | 1970 |
Magick
(Issue 11)
|
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Guy Thompson | Everybody Else Is Wrong - I am Right (Part 1) | June 1970 |
Talisman
(Vol. 1 No. 14)
|
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Guy Thompson | Everybody Else Is Wrong - I am Right (Part 2) | June 1970 |
Talisman
(Vol. 1 No. 15)
|
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Guy Thompson | Everybody Else Is Wrong - I am Right (Part 3) | June 1970 |
Talisman
(Vol. 1 No. 16)
|
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Guy Thompson | Everybody Else Is Wrong - I am Right (Part 4) | June 1970 |
Talisman
(Vol. 1 No. 17)
|
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Roger Rittner | The Ivory Tower | July 1970 |
Talisman
(Vol. 1 No. 18)
|
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Roger Rittner | The Ivory Tower | July 1970 |
Talisman
(Vol. 1 No. 19)
|
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Roger Rittner | The Ivory Tower - Part 3 | July 1970 |
Talisman
(Vol. 1 No. 21)
|
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Lawrence Steinhauer | Beyond Nature: Toward a Clearer Approach to Magic | Aug. 1970 |
Talisman
(Vol. 1 No. 26)
|
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Roger Rittner | The Ivory Tower | Sep. 1970 |
Talisman
(Vol. 1 No. 27)
|
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Rick Johnsson | The "Too Perfect" Theory | Fall-Spring 1971 |
Hierophant
(Issue 5-6)
|