Intros & Epilogues
| Creators | Title | Comments & References | Year | Source | Page | AA | Categories | |
|---|---|---|---|---|---|---|---|---|
| Michał Kociołek | Introduction | 2019 | ||||||
| Ignacio López | Prelude | 2019 | ||||||
| Ignacio López | Epilogue | 2019 | ||||||
| Roberto Giobbi | Préface | 2019 | ||||||
| Alain Poussard | Introduction | 2019 | ||||||
| Woody Aragón | Prólogo | 2019 | ||||||
| Andi Gladwin | Introduction | 2019 | ||||||
| Benjamin Earl | Preface | 2019 | ||||||
| Benjamin Earl | Influence & Deception | 2019 | ||||||
| Benjamin Earl | Afterword | 2019 | ||||||
| Carlos Vinuesa | Prefacio | 2019 | ||||||
| Arturo de Ascanio | Prólogo | 2019 | ||||||
| Joaquín Navajas | Introducción | 2019 | ||||||
| Carlos Vinuesa | Epílogo | 2019 | ||||||
| Jeremiah Zuo | Post Script | 2019 | ||||||
| Jeremiah Zuo | Opening Remarks | 2019 | ||||||
| Tom Dobrowolski | Foreword | 2019 | ||||||
| Jeremiah Zuo | A General Orientation | 2019 | ||||||
| Jeremiah Zuo | Final Words | 2019 | ||||||
| Marty Demarest | Foreword | 2019 | ||||||
| Shane Cobalt | Introduction | 2019 | ||||||
| Shane Cobalt | The Basics | 2019 | ||||||
| Shane Cobalt | Final Thoughts | 2019 | ||||||
| Michael Sondermeyer | Vorwort | 2019 | ||||||
| Pit Hartling, Denis Behr | Lorenz Who? - An Adulation | 2019 | ||||||
| Lorenz Schär | Preface | 2019 | ||||||
| Lorenz Schär | Postface | 2019 | ||||||
| Benjamin Earl | Preface | 2019 | ||||||
| Benjamin Earl | Influence & Deception | 2019 | ||||||
| Benjamin Earl | Afterword | 2019 | ||||||
| Nadia Villanueva | Prólogo | 2019 | ||||||
| Roberto Mansilla | Introducción | 2019 | ||||||
| Roberto Mansilla | Agradecimientos | 2019 | ||||||
| Tom Gagnon | Acknowledgements | 2019 | ||||||
| Tom Gagnon | Preface | 2019 | ||||||
| David Malek | Foreword | 2019 | ||||||
| Jon Racherbaumer | Introduction | 2019 | ||||||
| Maxwell Pritchard | Preface | 2019 | ||||||
| Maxwell Pritchard | Introduction | 2019 | ||||||
| Maxwell Pritchard | Closing Thoughts | 2019 | ||||||
| Bob Farmer | Acknowledgements | 2019 | ||||||
| Bob Farmer | Introduction | 2019 | ||||||
| Bob Farmer | Cousins to the Ten Card Deal | 2019 | ||||||
| Bob Farmer | Final Words | 2019 | ||||||
| Helder Guimarães | Preface - My Journey | 2019 | ||||||
| Helder Guimarães | Hidden in Action | 2019 | ||||||
| Helder Guimarães | Part Two - Essays & Repertoire | 2019 | ||||||
| Helder Guimarães | Part Three - Theory | 2019 | ||||||
| Helder Guimarães | The Incomplete Last Step | 2019 | ||||||
| Helder Guimarães | To Me | 2019 | ||||||
| Nancy Colwell | In Closing | 2019 |
Silhouette
(Vol. 1 No. 2)
|
|||||
| Mike Helmer | Editor's Note | 2019 |
Silhouette
(Vol. 1 No. 2)
|
|||||
| Michael Powers | Dedication | 2019 | ||||||
| Michael Powers | Acknowledgements | 2019 | ||||||
| Johnny New York | Foreword | 2019 | ||||||
| Michael Powers | Introduction | 2019 | ||||||
| Steve Reynolds | Introduction | 2019 |
Output
(Issue 2)
|
|||||
| Laura Avilés | Foreword | 2019 | ||||||
| Acknowledgements | 2019 | |||||||
| Juan Tamariz | Prologue to the First Edition of 52 Lovers | 2019 | ||||||
| José Carroll | The FISM-winning Act: His Magic Touch! | 2019 | ||||||
| Vicente Canuto | Foreword | 2019 | ||||||
| Ramón Riobóo | Introduction | 2019 | ||||||
| Rafael Benatar | Inner Worlds | 2019 | ||||||
| Juan Tamariz | Foreword | 2019 | ||||||
| Max Maven | Foreword | 2019 | ||||||
| Patrick G. Redford | Introduction | 2019 | ||||||
| Patrick G. Redford | Afterword | 2019 | ||||||
| Fritz Alkemade | Outset | 2019 | ||||||
| Fritz Alkemade | Afterhours | 2019 | ||||||
| Andi Gladwin | Introduction | 2019 | ||||||
| Andi Gladwin | In Closing | 2019 | ||||||
| Tina Lenert | Introduction | 2019 | ||||||
| Tina Lenert | One More Thing | 2019 | ||||||
| Tina Lenert | Epilogue | 2019 | ||||||
| Carlos Vaquera | Inspiration by way of introduction | 2019 | ||||||
| Carlos Vaquera | Special mentions... | 2019 | ||||||
| Carlos Vaquera | Conclusion | 2019 | ||||||
| Lawrence Hass | List of Videos and Media | 2019 | ||||||
| Lawrence Hass | Introduction | 2019 | ||||||
| Eugene Burger | To the reader | 2019 | ||||||
| Lawrence Hass | Part One: Preface | 2019 | ||||||
| Lawrence Hass | Part Three: Preface | 2019 | ||||||
| Lawrence Hass | Exuent | 2019 | ||||||
| Lawrence Hass | Acknowledgements | 2019 | ||||||
| Michał Kociołek | Introduction | 2019 | ||||||
| Michał Kociołek | Endtroducing | 2019 | ||||||
| Raúl Laguna | Prólogo | 2019 | ||||||
| Alberto de Figueiredo | Introducción | 2019 | ||||||
| Steve Spillman | Let's Party! | 2019 | ||||||
| Jim Steinmeyer | Afterword | 2019 | ||||||
| Alexander Hansford | Akira Fuji | 2020 |
The Neat Review
(Issue 3 - Tokyo 2020)
|
|||||
| Neil Kelso | Introduction | 2020 | ||||||
| Ben Hart | Closing Thoughts | 2020 | ||||||
| Mike Pisciotta | Foreword | 2020 | ||||||
| Ryan Plunkett | Introduction | 2020 | ||||||
| Hector Chadwick | Foreword | 2020 | ||||||
| Rhys "Morgan" Jones, Robert "West" Tay | Introduction | 2020 | ||||||
| Rhys "Morgan" Jones, Robert "West" Tay | How to Use This Book | 2020 | ||||||
| Rhys "Morgan" Jones, Robert "West" Tay | Curtain Call | 2020 | ||||||
| Rhys "Morgan" Jones, Robert "West" Tay | The Future | 2020 | ||||||
| John Galsworthy | Forword | 2020 | ||||||
| Steve Forte | Dedication - Ray Goulet | 2020 | ||||||
| Bill Malone | Foreword | 2020 | ||||||
| Steve Forte | Preface | 2020 | ||||||
| Steve Forte | Acknowledgments | 2020 | ||||||
| Steve Forte | Chapter 1 - Gambling Sleight of Hand - The Hobby | 2020 | ||||||
| Steve Forte | The Stunts | 2020 | ||||||
| Steve Forte | Gambling Routines | 2020 | ||||||
| Steve Forte | Odds and Ends | 2020 | ||||||
| Steve Forte | Fakes | 2020 | ||||||
| Steve Forte | Impressions | 2020 | ||||||
| Andi Gladwin | The Boy Who Cried Magic | 2020 | ||||||
| Andi Gladwin | Four Finesses | 2020 | ||||||
| Ryan Schlutz | Introduction | 2020 | ||||||
| Ryan Schlutz | GAP | 2020 | ||||||
| Mike Helmer | Introduction | May 2020 |
Epoch
(Vol. 1 No. 1)
|
|||||
| Mike Helmer | Introduction | May 2020 |
Acolyte
(Issue 1 (Spring #1))
|
|||||
| Benjamin Earl | Preface | 2020 | ||||||
| Benjamin Earl | Influence and Deception | 2020 | ||||||
| Benjamin Earl | Afterword | 2020 | ||||||
| Steve Beam | Introduction | 2020 | ||||||
| Peter Gröning | Six Friendly Involvements | 2020 | ||||||
| Peter Gröning | Introduction | 2020 | ||||||
| Peter Gröning | Signing Off | 2020 | ||||||
| Steve Beam | Introduction | 2020 | ||||||
| Idan Kaufman | Introduction | 2020 | ||||||
| Harry Lorayne | Foreword | 2020 | ||||||
| Harry Lorayne | Last Word | 2020 | ||||||
| Jamie Masterson | Acknowledgements | 2020 | ||||||
| Jack Carpenter | Introduction | 2020 | ||||||
| Jamie Masterson | Preface | 2020 | ||||||
| Jamie Masterson | Section One - The Core Routine | 2020 | ||||||
| Jamie Masterson | Section Two - Advanced Handling Options | 2020 | ||||||
| Jamie Masterson | Final Thoughts | 2020 | ||||||
| Jamie Masterson | Section Four - Visual Changes for the Last Ace | 2020 | ||||||
| Jim Steinmeyer | Introduction | 2020 | ||||||
| Ryan Schlutz | Introduction | 2020 | ||||||
| Chris Rawlins | Introduction | 2020 | ||||||
| Chris Rawlins | A Change in Focus | 2020 | ||||||
| Chris Rawlins | In Conclusion | 2020 | ||||||
| Chris Rawlins | Bonus | 2020 | ||||||
| Jeremy Griffith | Foreword | 2020 | ||||||
| Greg Chapman | Introduction | 2020 | ||||||
| Harapan Ong | Foreword | 2020 | ||||||
| John Carney | With Gratitude | 2020 | ||||||
| David Ben | Foreword | 2020 | ||||||
| Richard Kaufman | Acknowledgements | 2020 | ||||||
| Tony Giorgio | Foreword | 2020 | ||||||
| Richard Kaufman | Introduction | 2020 | ||||||
| Richard Kaufman | Sandwich sans Roy | 2020 | ||||||
| William A. Wells | Foreward | 2020 | ||||||
| Michael Rubinstein | Introduction | 2020 | ||||||
| Michael Rubinstein | Chapter Eighteen - Friends | 2020 | ||||||
| Michael Rubinstein | Final Thoughts | 2020 | ||||||
| Andy Nyman | A Special Thanks To | 2020 | ||||||
| Andy Nyman | Hi fellow Magic Lover | 2020 | ||||||
| Andy Nyman | Final Thoughts | 2020 | ||||||
| Jamy Ian Swiss | Prologue: A New York Story | 2020 | ||||||
| Jamy Ian Swiss | Postscript: What's the Harm? | 2020 | ||||||
| Jamy Ian Swiss | Acknowledgements | 2020 | ||||||
| Joshua Jay, Andi Gladwin | Welcome to The Session 2020 | 2020 | ||||||
| Franz Kaslatter | Abschließende Anregungen | 2020 | ||||||
| Roberto Giobbi | Preface | 2020 | ||||||
| Jesús Etcheverry | Foreword | 2020 | ||||||
| Joshua Jay | Introduction | 2020 | ||||||
| Joshua Jay | Final Thought | 2020 | ||||||
| Marcus Eddie | Foreword | 2021 | ||||||
| Nancy Colwell | Setting Sail - A Compositional Note | 2021 | ||||||
| Nancy Colwell | Afterword | 2021 | ||||||
| Nancy Colwell | Acknowledgments | 2021 | ||||||
| Roberto Giobbi | A Big Thank You | 2021 | ||||||
| Roberto Giobbi | You Cannot Not Have a Theory | 2021 | ||||||
| Roberto Giobbi | How to Read This Book | 2021 | ||||||
| Roberto Giobbi | Actions of Confirmation... in Action | 2021 | ||||||
| Roberto Giobbi | Lest I Forget... | 2021 | ||||||
| Michael Close | Foreword | 2021 | ||||||
| Sylvain Juzan | Introduction | 2021 | ||||||
| Sylvain Juzan | Acknowledgments | 2021 | ||||||
| John Carney | Suite for Coins & Handkerchief | 2021 | ||||||
| John Carney | Further Thoughts | 2021 | ||||||
| Benjamin Earl | Inside | 2021 | ||||||
| Benjamin Earl | Out | 2021 | ||||||
| Motoki Kaido | Introduction | 2021 | ||||||
| Motoki Kaido | 本書について (About This Book) | 2021 | ||||||
| Motoki Kaido | 用語解説 (Glossary) | 2021 | ||||||
| Motoki Kaido | 表記方法 (Notation Method) | 2021 | ||||||
| Motoki Kaido | 参考映像 (Reference Video) | 2021 | ||||||
| Tomoya Horiki | Monster, My Friend, Mott-sun | 2021 | ||||||
| Motoki Kaido | あとがき (Afterword) | 2021 | ||||||
| Motoki Kaido | 最後に君たちへ (Final words to you all) | 2021 | ||||||
| Michał Kociołek | Introduction | 2021 | ||||||
| Ryan Schlutz | Introduction | 2021 | ||||||
| Rico Weeland | Introduction | 2021 | ||||||
| Moritz Mueller | Einleitung | 2021 | ||||||
| Moritz Mueller | Letzte Gedanken | 2021 | ||||||
| Moritz Mueller | Dankeschön an | 2021 | ||||||
| Asi Wind | Acknowledgements | 2021 | ||||||
| Asi Wind | Prologue | 2021 | ||||||
| Asi Wind | Scripts | 2021 | ||||||
| Asi Wind | Interviews | 2021 | ||||||
| Asi Wind | Epilogue | 2021 | ||||||
| Harapan Ong | Foreword | 2021 | ||||||
| Luis Piedrahita | Lo recuerdo perfectamente, como si no hubiera ocurrido. | 2021 |
Maese Coral
(Issue 1)
|
|||||
| Editorial. ¿Es posible una historia del imposible? | 2021 |
Maese Coral
(Issue 1)
|
||||||
| Alexander Hansford | Intro | 2021 | ||||||
| Alexander Hansford | Right Hander Look Here | 2021 | ||||||
| John Graham | Acknowledgements | 2021 | ||||||
| Asi Wind | Foreword | 2021 | ||||||
| John Graham | Introduction | 2021 | ||||||
| John Graham | Last Word | 2021 | ||||||
| Nancy Colwell | Foreword | 2021 | ||||||
| Nancy Colwell | Credits | 2021 | ||||||
| Nancy Colwell | Afterword | 2021 | ||||||
| Boris Wild | Foreword | 2021 | ||||||
| Nathan Kranzo | Introduction | 2021 | ||||||
| Nicholas Einhorn | Foreword | 2021 | ||||||
| John Lovick | Acknowledgements | 2021 | ||||||
| Please Read Before Proceeding | Apr. 2021 |
The Disclaimer
(Vol. 1 No. 1)
|
||||||
| Please Read Before Proceeding | May 2021 |
The Disclaimer
(Vol. 1 No. 2)
|
||||||
| Please Read Before Proceeding | June 2021 |
The Disclaimer
(Vol. 1 No. 3)
|
||||||
| Please Read Before Proceeding | July 2021 |
The Disclaimer
(Vol. 1 No. 4)
|
||||||
| Please Read Before Proceeding | Aug. 2021 |
The Disclaimer
(Vol. 1 No. 5)
|
||||||
| Please Read Before Proceeding | Sep. 2021 |
The Disclaimer
(Vol. 1 No. 6)
|
||||||
| Please Read Before Proceeding | Oct. 2021 |
The Disclaimer
(Vol. 1 No. 7)
|
||||||
| Please Read Before Proceeding | Nov. 2021 |
The Disclaimer
(Vol. 1 No. 8)
|
||||||
| Please Read Before Proceeding | Dec. 2021 |
The Disclaimer
(Vol. 1 No. 9)
|
||||||
| Miguel Ángel Gea | Foreword to the English edition | 2021 | ||||||
| Dani DaOrtiz | Preface to the English edition | 2021 | ||||||
| Ricardo Rodriguez | Introducción | 2021 | ||||||
| Juan Tamariz | Prólogo | 2021 | ||||||
| Ricardo Rodriguez | Prefacio | 2021 | ||||||
| Ricardo Rodriguez | Epilogo | 2021 | ||||||
| Ricardo Rodriguez | Palabras finales | 2021 | ||||||
| Ryan Murray | Acknowledgements | 2021 | ||||||
| Ryan Murray | Introduction to Preparing a Deck | 2021 | ||||||
| Ryan Murray | Applying the Principle | 2021 | ||||||
| Ryan Murray | Epilogue | 2021 | ||||||
| José Sanchís | Prólogo | 2021 | ||||||
| Lionel Gallardo | Introducción | 2021 | ||||||
| Jim Steinmeyer | Introduction | 2021 | ||||||
| Lawrence Hass | Introduction | 2021 | ||||||
| Eugene Burger | To the Reader | 2021 | ||||||
| Lawrence Hass | Part One: Preface | 2021 | ||||||
| Lawrence Hass | Destiny Has a Name | 2021 | ||||||
| Lawrence Hass | Part Two: Preface | 2021 | ||||||
| Eugene Burger | Foreword | 2021 | ||||||
| Lawrence Hass | Part Three: Preface | 2021 | ||||||
| Lawrence Hass | Three Entertaining Discoveries: The Robot, Einstein's Card Trick, Perfect Speller | 2021 | ||||||
| Lawrence Hass | Entries from Eugene's Notebook | 2021 | ||||||
| Lawrence Hass | Part Four: Preface | 2021 | ||||||
| Lawrence Hass | Part Five: Preface | 2021 | ||||||
| Lawrence Hass | Finis | 2021 | ||||||
| Lawrence Hass | Acknowledgements | 2021 | ||||||
| John Graham | Acknowledgements | 2021 | ||||||
| John Graham | Foreword | 2021 | ||||||
| John Graham | Last Word | 2021 | ||||||
| Justin Higham | Foreword | 2021 | ||||||
| Alexander Boyce | Welcome | 2021 | ||||||
| Michael Weber | Please Note | 2021 | ||||||
| Steve Reynolds | Surprise Bluff Assembly/Direct Splits | 2022 |
Output
(Issue 21)
|
|||||
| The Magic of Gabi | Jan. 2022 |
Genii
(Vol. 85 No. 1)
|
||||||
| Leo Reed | The Spork Chronicles | Aug. 2022 |
Genii
(Vol. 85 No. 8)
|
|||||
| Editorial | 2022 |
Maese Coral
(Issue 2)
|
||||||
| Editorial - Puchol y Etcheverry como ejemplo | 2022 |
Maese Coral
(Issue 3)
|
||||||
| Florian Brooks | Introduction | 2022 | ||||||
| Florian Brooks | Closing Thoughts | 2022 | ||||||
| Christoph Borer | Einleitung | 2022 | ||||||
| Christoph Borer | Nachwort | 2022 | ||||||
| Derren Brown | Foreword | 2022 | ||||||
| Andrew Frost | Introduction | 2022 | ||||||
| Bob Farmer | Introduction | 2022 | ||||||
| Bob Farmer | Thank Yous | 2022 | ||||||
| Please Read Before Proceeding | Jan. 2022 |
The Disclaimer
(Vol. 1 No. 10)
|
||||||
| Please Read Before Proceeding | Feb. 2022 |
The Disclaimer
(Vol. 1 No. 11)
|
||||||
| Please Read Before Proceeding | Mar. 2022 |
The Disclaimer
(Vol. 1 No. 12)
|
||||||
| Tom Dobrowolski | Introduction | Mar. 2022 |
The Disclaimer
(Vol. 1 No. 12)
|
|||||
| Steve Cohen | Preface | 2022 | ||||||
| Steve Cohen | Introduction | 2022 | ||||||
| Steve Cohen | Chapter Nine: Impromptu Magic | 2022 | ||||||
| Steve Cohen | Mentalism Stunts | 2022 | ||||||
| Steve Cohen | Chapter Ten: Card Magic | 2022 | ||||||
| Steve Cohen | Chapter Eleven: Platform Magic | 2022 | ||||||
| Steve Cohen | Acknowledgements | 2022 | ||||||
| Alexander Hansford | Intro | 2022 | ||||||
| Alexander Hansford | Preface to the New (2022) Edition | 2022 | ||||||
| Lexiang Gao (高乐翔) | Foreword (序言) | 2022 | ||||||
| Bob (张熙禹) | Introduction (前言) | 2022 | ||||||
| White (陈怀宇) | Postscript (后记) | 2022 | ||||||
| Gordon Bruce | Foreword | 2022 | ||||||
| George McBride | Introduction | 2022 | ||||||
| George McBride | Dedication | 2022 | ||||||
| Fränz | Hello. Hej. Guten Tag. | 2022 | ||||||
| Nico Haupt | Foreword | 2022 | ||||||
| Bob Farmer | Introduction | 2022 | ||||||
| Bob Farmer | Final Comments | 2022 | ||||||
| Dani DaOrtiz | Introduction | 2022 | ||||||
| Jared Kopf | Foreword | 2022 | ||||||
| Derrick Chung | Introduction | 2022 | ||||||
| Marc Trudel | Marlo | 2022 |
Conundrum
(Issue 1)
|
|||||
| Marc Trudel | McSorley & Chung | 2022 |
Conundrum
(Issue 1)
|
|||||
| Woody Aragón | Sonata for Shimpei | 2022 | ||||||
| Shimpei Katsuragawa | Introduction | 2022 | ||||||
| Mac King | Foreword (Complete with Footnotes) | 2022 | ||||||
| Nick Diffatte | Preface (Without Footnotes) | 2022 | ||||||
| Nick Diffatte | Acknowledgements | 2022 | ||||||
| David Ben | Dai Vernon: An Introduction | 2022 | ||||||
| Dai Vernon | An Illustrated Resumé | 2022 | ||||||
| Bob Farmer | Introduction | 2022 | ||||||
| Lee Asher | Notice of Rights | 2022 | ||||||
| Lee Asher | Introduction | 2022 | ||||||
| Lee Asher | Thank Yous | 2022 | ||||||
| Andreas Fleckenstein | Vorwort | 2022 | ||||||
| Pedro Cunha | Foreword | 2022 | ||||||
| Francisco Mousinho | Introduction | 2022 | ||||||
| Andi Gladwin | Ubuntu | 2022 | ||||||
| Joshua Jay | Introduction | 2022 | ||||||
| Joshua Jay | In Closing | 2022 | ||||||
| Joshua Jay | Acknowledgements | 2022 |
Talk About Tricks
(Issue 1)
|
|||||
| Joshua Jay | Introduction | 2022 |
Talk About Tricks
(Issue 1)
|
|||||
| Joshua Jay | The Beginning and the End | 2022 |
Talk About Tricks
(Issue 2)
|
|||||
| Helge Thun | Vorwort! | 2022 | ||||||
| Tom Gagnon | Acknowledgements | 2022 | ||||||
| Tom Gagnon | Preface | 2022 | ||||||
| Newell Unfried | Introduction | 2022 | ||||||
| Luke Jermay | Acknowledgements | 2022 | ||||||
| Luke Jermay | How This Began | 2022 | ||||||
| Luke Jermay | Introduction | 2022 | ||||||
| Luke Jermay | Final Words | 2022 | ||||||
| Juan Tamariz | Letter from Juan | 2022 | ||||||
| Juan Tamariz | P.S. | 2022 | ||||||
| Victor Piña | ¿Por qué? | 2022 | ||||||
| Victor Piña | Hasta Pronto | 2022 | ||||||
| Juan Tamariz | Letter from Juan | 2022 | ||||||
| Juan Tamariz | P.S. | 2022 | ||||||
| Joshua Jay | Introduction | 2022 | ||||||
| David Ben | Introduction | 2022 | ||||||
| Juan Tamariz | Letter from Juan | 2022 | ||||||
| Juan Tamariz | P.S. | 2022 | ||||||
| Jean-Pierre Vallarino | Foreword | 2022 | ||||||
| Carlos Vaquera | Introduction | 2022 | ||||||
| Juan Tamariz | Letter from Juan | 2022 | ||||||
| Juan Tamariz | P. S. | 2022 | ||||||
| Juan Tamariz | Letter from Juan | 2022 | ||||||
| Juan Tamariz | P. S. | 2022 | ||||||
| Edwin A. Dawes | Collect, Collate, Communicate | 2022 | ||||||
| Ricky Jay | How Does He Do It? | 2022 | ||||||
| Juan Tamariz | Letter from Juan | 2022 | ||||||
| Juan Tamariz | P. S. | 2022 | ||||||
| Pit Hartling | Foreword | 2022 | ||||||
| Ben Daggers | Introduction | 2022 | ||||||
| Ben Daggers | Outroduction | 2022 | ||||||
| Michael Weber, Tim Trono | Please Note | 2022 | ||||||
| Michael Weber, Tim Trono | The Props | 2022 | ||||||
| Houlin Li | Foreword | 2022 ca. | ||||||
| Houlin Li | Epilogue | 2022 ca. | ||||||
| Houlin Li | Foreword | 2022 ca. | ||||||
| Houlin Li | Epilogue | 2022 ca. | ||||||
| James Steranko | Stacked Deck | Aug. 2023 |
Genii
(Vol. 86 No. 8)
|
|||||
| Editorial - Los papeles de Ascanio | 2023 |
Maese Coral
(Issue 4)
|
||||||
| Scott Baird | Lysdexics Webare | May 2023 |
The Hermit
(Vol. 2 No. 5)
|
|||||
| Joe Cole | Coin Box Moves | Oct. 2023 |
The Hermit
(Vol. 2 No. 10)
|
|||||
| Brandon Sheffield | Examining Biddle | Dec. 2023 |
The Hermit
(Vol. 2 No. 12)
|
|||||
| Markobi | Introduction | 2023 | ||||||
| Mortenn Christiansen | Hello | 2023 | ||||||
| Mortenn Christiansen | Time To Say Goodbye | 2023 | ||||||
| Helge Thun | Vorwort | 2023 | ||||||
| Friedrich Roitzsch | Acknowledgments | 2023 | ||||||
| Pit Hartling | Foreword | 2023 | ||||||
| Friedrich Roitzsch | Introduction | 2023 | ||||||
| Fränz | Vorwort | 2023 | ||||||
| Harapan Ong | Introduction | 2023 | ||||||
| Reed Swans Collective, John Hostler | Introduction | 2023 | ||||||
| Luke Jermay | Introduction | 2023 | ||||||
| Jamy Ian Swiss | The Vernon Palm | 2023 | ||||||
| Markus Gabriel | Hallo! | 2023 | ||||||
| Markus Gabriel | Techniken | 2023 | ||||||
| Markus Gabriel | Und Tschüss! | 2023 | ||||||
| Justin Higham | Foreword | 2023 | ||||||
| Justin Higham | Foreword | 2023 | ||||||
| Justin Higham | Foreword | 2023 | ||||||
| Luke Jermay | Foreword #1 | 2023 | ||||||
| Barclay Bram | Foreword #2 | 2023 | ||||||
| Anson Chen | Introduction | 2023 | ||||||
| Michael Weber | Attention Please | 2023 | ||||||
| Max Temkin | Foreword | 2023 | ||||||
| Michael Weber, Tim Trono | Introduction | 2023 | ||||||
| Michael Weber, Tim Trono | Thanks for Playing | 2023 | ||||||
| Michael Weber | Across Words | 2023 | ||||||
| Michael Weber | Rights | 2023 | ||||||
| Michael Weber | Please Note | 2023 | ||||||
| Luke Jermay | Foreword | 2023 | ||||||
| Jan Imhof | Introduction | 2023 | ||||||
| Jan Imhof | Acknowledgements | 2023 | ||||||
| Jan Imhof | Thank YOU! | 2023 | ||||||
| Ricky Smith | Introduction | 2023 | ||||||
| Michael Murray | Introduction | 2023 | ||||||
| Michael Murray | Closing Words | 2023 | ||||||
| Harapan Ong | I am not a cardist. | 2023 | ||||||
| Harapan Ong | (Maybe) I am a cardist. | 2023 | ||||||
| John Graham, Asi Wind | Acknowledgements | 2023 | ||||||
| John Graham, Asi Wind | Greetings | 2023 | ||||||
| John Graham, Asi Wind | Until We Meet Again | 2023 | ||||||
| Francesco Fontanelli | Introduction | 2024 | ||||||
| Joshua Jay | Foreword | 2024 | ||||||
| Luke Jermay | Introduction | 2024 | ||||||
| Allan Ackerman | Preface | 2024 |
All In
()
|
|||||
| John Bannon | Foreword | 2024 | ||||||