Intros & Epilogues
| Creators | Title | Comments & References | Year | Source | Page | AA | Categories | |
|---|---|---|---|---|---|---|---|---|
| Mike Caveney | Introduction | 2013 | ||||||
| Mike Caveney | Preface | 2013 | ||||||
| Mike Caveney | With Thanks | 2013 | ||||||
| Jim Steinmeyer | Foreword | 2013 | ||||||
| Mike Caveney | Introduction | 2013 | ||||||
| Mike Caveney | With Thanks | 2013 | ||||||
| John Bannon | Foreword | 2013 | ||||||
| John Bannon | Acknowledgements | 2013 | ||||||
| John Bannon | Opening the Open Prediction | 2013 | ||||||
| Alexander de Cova | Vorwort zu dieser Ausgabe | 2013 | ||||||
| Alexander de Cova | Vorwort | 2013 | ||||||
| R. Paul Wilson | Introduction | 2013 | ||||||
| R. Paul Wilson | The Last Word | 2013 | ||||||
| Richard Kaufman | Foreword | 2013 | ||||||
| Hiroyuki Sakai | A Transient Love Story | 2013 | ||||||
| Benjamin Earl | Foreward | 2014 | ||||||
| Benjamin Earl | Acknowledgements | 2014 | ||||||
| Ricky Smith | A wise man once said... | 2014 | ||||||
| Kevin Ho | Intro | 2014 | ||||||
| Kevin Ho | Last Words | 2014 | ||||||
| Harapan Ong | Introduction | 2014 | ||||||
| Harapan Ong | Special Thanks | 2014 | ||||||
| Jim Steinmeyer | Introduction | 2014 | ||||||
| Justin Higham | Foreword | 2014 | ||||||
| Hector Chadwick | And Finally... | 2014 | ||||||
| Joseph Barry | Introduction | 2014 | ||||||
| Johnny Thompson | Foreword | 2014 | ||||||
| Paul Vigil | Exordium | 2014 | ||||||
| Paul Vigil | Epilogue | 2014 | ||||||
| Ian Rowland | Prologue | 2014 | ||||||
| Jorge "The Jack" Garcia | The Show | 2014 | ||||||
| Jorge "The Jack" Garcia | Before We Begin | 2014 | ||||||
| Jorge "The Jack" Garcia | Final Words | 2014 | ||||||
| Christoph Borer | Vorwort von Christoph Borer | 2014 | ||||||
| Christian Scherer | Einleitung | 2014 | ||||||
| Ken Klosterman | Publisher's Note | 2014 | ||||||
| Leo Behnke | Introduction | 2014 | ||||||
| Robert L. Bluemle | Preface | 2014 | ||||||
| Eugene Burger | Foreword | 2014 | ||||||
| Joseph Barry | Introduction | 2014 | ||||||
| Michael Lam | 序 | 2014 | ||||||
| Matthew Walton | Forward | 2014 | ||||||
| Peter McKinnon | Closing Thoughts | 2014 | ||||||
| Steve Reynolds | Introduction | 2014 | ||||||
| Steve Reynolds | (Not) The Final Notes | 2014 | ||||||
| Daniel Madison | Placebo | 2014 | ||||||
| Andi Gladwin | Welcome to the Lab | 2014 | ||||||
| Joaquín Matas | Antes de Empezar... | 2014 | ||||||
| Gabi Pareras | ¡Ya Está! | 2014 | ||||||
| Joaquín Matas | Introducción | 2014 | ||||||
| G | Forward (前言) | 2014 | ||||||
| G | Epilogue (后记) | 2014 | ||||||
| Patrick G. Redford | Introduction | 2014 | ||||||
| Colin McLeod | Welcome | 2014 | ||||||
| David Gerard | Outro | 2014 | ||||||
| Mark Elsdon | Foreword | 2014 | ||||||
| Peter Turner | Foreword | 2014 | ||||||
| Stephen Shaw | Foreword | 2014 | ||||||
| Michael Murray | About the Author | 2014 | ||||||
| David Finkelstein | Introduction | 2014 | ||||||
| Simon Aronson | Preface | 2014 | ||||||
| Simon Aronson | Techniques | 2014 | ||||||
| Simon Aronson | On the Spot | 2014 | ||||||
| Simon Aronson | Two-Faced | 2014 | ||||||
| Simon Aronson | Totals | 2014 | ||||||
| Simon Aronson | Birthdays and Datebooks | 2014 | ||||||
| Simon Aronson | Memorized Decks | 2014 | ||||||
| Simon Aronson | Eccen-tricks | 2014 | ||||||
| Simon Aronson | Postscript | 2014 | ||||||
| Sobre estas notas | 2014 | |||||||
| Justin Higham | Foreword | 2014 | ||||||
| Patrick G. Redford | Acknowledgements | 2014 | ||||||
| John Carey | Foreword | 2014 | ||||||
| Patrick G. Redford | Fridge Magic – An Introduction | 2014 | ||||||
| Kiko Pastur | Prólogo | 2014 | ||||||
| Eloy Mateos | Prólogo | 2014 | ||||||
| John Wade | Foreword | 2014 | ||||||
| Stephen Short | Introduction | 2014 | ||||||
| Scott Penrose | Introduction - The Magic of the Sophisticated Sorcerer | 2014 | ||||||
| John Wade | Afterword | 2014 | ||||||
| Marko | Prólogo | 2014 | ||||||
| Alexander de Cova | Ein paar Worte zuvor | 2014 | ||||||
| Alexander de Cova | Foreword | 2014 | ||||||
| George Sands | Preface | 2014 | ||||||
| Alan Sands | Preface | 2014 | ||||||
| Alan Sands | Introduction | 2014 | ||||||
| George Sands | Preface - 1962 | 2014 | ||||||
| George Sands | Preface - 1977 | 2014 | ||||||
| George Sands | Preface - 1983 | 2014 | ||||||
| Ed Mishell | Introduction by Ed Mishell - 1962 | 2014 | ||||||
| George Sands | Conclusion | 2014 | ||||||
| George Sands | Epilogue by George Sands | 2014 | ||||||
| Alan Sands | Epilogue by Alan Sands | 2014 | ||||||
| John Lovick | Where We're Coming From - Where We're Going... | 2014 | ||||||
| Ricky Smith | Introduction | 2015 | ||||||
| Benjamin Earl | Foreward | 2015 | ||||||
| Michael Weber | Please Note | 2015 | ||||||
| Michael Weber | Please Note | 2015 | ||||||
| Michael Weber | Introduction | 2015 | ||||||
| Benjamin Earl | For Your Attention | 2015 | ||||||
| Benjamin Earl | Introduction | 2015 | ||||||
| Benjamin Earl | Summary | 2015 | ||||||
| Stephen Hobbs | Welcome to Jack Carpenter's Ultimate Hold 'Em Demonstration | 2015 | ||||||
| Benjamin Earl | For Your Attention | 2015 | ||||||
| Benjamin Earl | Preface | 2015 | ||||||
| Benjamin Earl | Summary | 2015 | ||||||
| Helder Guimarães | Introduction | Winter 2015 |
Quarterly
(Issue 1)
|
|||||
| Will Houstoun | Editorial | Winter 2015 |
Quarterly
(Issue 1)
|
|||||
| Will Houstoun | Editorial | Spring 2015 |
Quarterly
(Issue 2)
|
|||||
| Will Houstoun | Editorial | Summer 2015 |
Quarterly
(Issue 3)
|
|||||
| Michael Weber | Please Note | 2015 | ||||||
| Michael Weber | Please Note | 2015 | ||||||
| Michael Weber | "It's Better Than That." | 2015 | ||||||
| Helder Guimarães | Introduction | 2015 | ||||||
| Helder Guimarães | Conclusion | 2015 | ||||||
| Helder Guimarães | Introduction | 2015 | ||||||
| Helder Guimarães | Conclusion | 2015 | ||||||
| Steve Beam | Introduction - X-Rated Magic | 2015 | ||||||
| Steve Beam | The Magic of Ramón Riobóo | 2015 | ||||||
| Steve Beam | International Harvester | 2015 | ||||||
| Steve Beam | Mental Magic | 2015 | ||||||
| Steve Beam | Thanksgiven | 2015 | ||||||
| Steve Beam | Introduction - The Magic of Nine | 2015 | ||||||
| Steve Beam | Miscellaneous Magic | 2015 | ||||||
| Steve Beam | Bypassing the Binary | 2015 | ||||||
| Steve Beam | End Notes | 2015 | ||||||
| Steve Beam | Losing Strategies | 2015 | ||||||
| Steve Beam | Two-Faced | 2015 | ||||||
| Albert Lucio | Preface | 2015 | ||||||
| Albert Lucio | Acknowledgements | 2015 | ||||||
| Ian Rowland | Prologue | 2015 | ||||||
| Jorge "The Jack" Garcia | Final Words | 2015 | ||||||
| Harry Wong | 序 | 2015 | ||||||
| Alex Ng | 前言 | 2015 | ||||||
| Bob Farmer | Acknowledgments | 2015 | ||||||
| Bob Farmer | Part One: The Ten Card Deal | 2015 | ||||||
| Bob Farmer | Eighteen Jonahs | 2015 | ||||||
| Bob Farmer | The CADD Force | 2015 | ||||||
| Bob Farmer | Magic Magazine | 2015 | ||||||
| Bob Farmer | Glasgow Rules, O.K.? | 2015 | ||||||
| Bob Farmer | Part Two: Deals with Ten Cards | 2015 | ||||||
| Bob Farmer | Solomon is King | 2015 | ||||||
| Bob Farmer | Part Four: Switches | 2015 | ||||||
| Bob Farmer | In Conclusion | 2015 | ||||||
| Bob Farmer | Pharaohs & Magicians | 2015 | ||||||
| Allec Blanco | Welcome | 2015 | ||||||
| Harry Lorayne | Foreword | 2015 | ||||||
| Harry Lorayne | Last Word | 2015 | ||||||
| Jeremy Griffith | Foreword | 2015 | ||||||
| Edo Huang | Introduction | 2015 | ||||||
| Edo Huang | On Cardistry Moves | 2015 | ||||||
| Edo Huang | Last But Not Least | 2015 | ||||||
| Eric Stevens | Introduction | 2015 | ||||||
| Michael Weber | Please Note | 2015 | ||||||
| Michael Weber | Notes | 2015 | ||||||
| G | Believe | 2015 | ||||||
| G | Epilogue (后记) | 2015 | ||||||
| Curtis Kam | Introduction | 2015 | ||||||
| Andi Gladwin | A Tomas Blomberg Magicana | July 2015 |
Genii
(Vol. 78 No. 7)
|
|||||
| Karl Fulves | Early Indications | 2015 |
Early Indications
(Issue 1)
|
|||||
| Carlos Vinuesa | Introducción a la segunda edición | 2015 | ||||||
| Miguel Diaz, Carlos Vinuesa | Prefacio y agradecimientos | 2015 | ||||||
| Jesús Etcheverry | Agradacimientos | 2015 | ||||||
| Alexander de Cova | Ein paar Worte zuvor | 2015 | ||||||
| Alexander de Cova | Ein paar Worte zuvor | 2015 | ||||||
| "Joro" Bruno Hennig | Vorwort von JORO | 2015 | ||||||
| Alexander de Cova | Ein paar Worte zuvor | 2015 | ||||||
| Michael Weber, Tim Trono | Zoltar Medaillon | Mar. 2015 |
Real Secrets
(Vol. 3 No. 36)
|
|||||
| Justin Higham | Foreword | 2015 | ||||||
| Ted Karmilovich | Introduction | 2015 | ||||||
| Ted Karmilovich | Conclusion | 2015 | ||||||
| Jim Steinmeyer | Introduction | 2015 | ||||||
| Will Houstoun | Editorial | Summer 2016 |
Quarterly
(Issue 4)
|
|||||
| Pit Hartling | Acknowledgements | 2016 | ||||||
| Simon Aronson | Foreword - Good Things Come in Small Packages... | 2016 | ||||||
| Pit Hartling | Introduction | 2016 | ||||||
| Pit Hartling | The Stack-Dependents | 2016 | ||||||
| Pit Hartling | Last Word | 2016 | ||||||
| Hector Chadwick | Hello. | 2016 | ||||||
| Richard Kaufman | Introduction | 2016 | ||||||
| John Lovick | Acknowledgements | 2016 | ||||||
| John Lovick | Foreword | 2016 | ||||||
| Handsome Jack | Preface | 2016 | ||||||
| Penn Jillette, Teller | Introduction | 2016 | ||||||
| Benjamin Earl | For Your Attention | 2016 | ||||||
| Benjamin Earl | Preface | 2016 | ||||||
| Benjamin Earl | End Notes | 2016 | ||||||
| Benjamin Earl | For Your Attention | 2016 | ||||||
| Benjamin Earl | Preface | 2016 | ||||||
| Benjamin Earl | For Your Attention | 2016 | ||||||
| Benjamin Earl | Preface | 2016 | ||||||
| Alexander Hansford | Introduction | 2016 | ||||||
| Alexander Hansford | Crediting Et c. | 2016 | ||||||
| Jared Kopf | Preface | 2016 | ||||||
| Joseph Barry, John Cottle | Welcome | Feb. 2016 |
Operandi
(Issue 1)
|
|||||
| Stephen Minch | Acknowledgements | 2016 | ||||||
| Roberto Giobbi | Vanni Bossi: A Foreword and an Appreciation | 2016 | ||||||
| Stephen Minch | Preface | 2016 | ||||||
| Harapan Ong | Foreword | 2016 | ||||||
| Ryan Plunkett | Introduction | 2016 | ||||||
| Ryan Plunkett | Notes | 2016 | ||||||
| Roberto Giobbi | Thanks! | 2016 | ||||||
| Roberto Giobbi | Words of Guidance | 2016 | ||||||
| Roberto Giobbi | Knowing Versus Understanding | 2016 |
Hidden Agenda
(Issue Apr 8)
|
|||||
| Roberto Giobbi | Thanks! | 2016 | ||||||
| Roberto Giobbi | Nothing but a Deck of Cards! | 2016 | ||||||
| Roberto Giobbi | Introduction | 2016 | ||||||
| Roberto Giobbi | Concluding Remarks | 2016 | ||||||
| Roberto Giobbi | Chapter 3: Card Technique for the Standup Performer | 2016 | ||||||
| Roberto Giobbi | Envoy | 2016 | ||||||
| John Wilson | The Path of Broken Hearts | 2016 | ||||||
| John Wilson | The Real Secret | 2016 | ||||||
| Michel Gammenthaler | Vorwort | 2016 | ||||||
| Jörg Alexander Weber | Vorwort | 2016 | ||||||
| Christoph Borer | Einleitung | 2016 | ||||||
| Alex Ng, Harry Wong | 序 | 2016 | ||||||
| Henry Harrius | 前言 | 2016 | ||||||
| Andy (The Jerx) | Preface | 2016 | ||||||
| Andy (The Jerx) | Introduction | 2016 | ||||||
| Andy (The Jerx) | Epilogue | 2016 | ||||||
| Andy (The Jerx) | Acknowledgements | 2016 | ||||||
| Tom Cutts | Prologue | 2016 | ||||||
| Jorge "The Jack" Garcia | Introduction | 2016 | ||||||
| Jorge "The Jack" Garcia | Conclusions | 2016 | ||||||
| Pepe Lirrojo | Introducción - Antes de Empezar | 2016 | ||||||
| John Hostler | Introduction | 2016 | ||||||
| Gene Anderson | Acknowledgments | 2016 | ||||||
| Mac King | Foreword | 2016 | ||||||
| Gene Anderson | Introduction | 2016 | ||||||
| Joaquín Matas | Antes de Empezar | 2016 | ||||||
| Alberto de Figueiredo | Prólogo | 2016 | ||||||
| Joaquín Matas | Introducción | 2016 | ||||||
| G | Emotion | 2016 | ||||||
| G | Epilogue (后记) | 2016 | ||||||
| Hirase Hose | Hōkasen | May 2016 |
Genii
(Vol. 79 No. 5)
|
|||||
| Jamy Ian Swiss | Introduction | 2016 | ||||||
| Roy Walton | Introduction | 2016 | ||||||
| Alexander de Cova | Einleitung | 2016 | ||||||
| Alexander de Cova | Etwas zur Geschichte | 2016 | ||||||
| Alexander de Cova | Wozu dieses Buch? | 2016 | ||||||
| Alexander de Cova | Wie arbeitet man mit diesem Buch? | 2016 | ||||||
| Alexander de Cova | Epilog - Theorie & Praxis | 2016 | ||||||
| Benjamin Earl | For Your Attention | 2016 | ||||||
| Benjamin Earl | Preface | 2016 | ||||||
| Benjamin Earl | For Your Attention | 2016 | ||||||
| Benjamin Earl | Preface | 2016 | ||||||
| Alexander de Cova | Ein paar Worte zuvor | 2016 | ||||||
| Alexander de Cova | Ein paar Worte zuvor | 2016 | ||||||
| Alexander de Cova | Tricks von Fred Kaps | 2016 | ||||||
| Ted Karmilovich | Introduction | 2016 | ||||||
| Will Houstoun | Editorial | Winter 2017 |
Quarterly
(Issue 5)
|
|||||
| Joseph Barry, John Cottle | Welcome | Dec. 2017 |
Operandi
(Issue 2)
|
|||||
| Joseph Barry, John Cottle | Welcome | Sep. 2017 |
Operandi
(Issue 3)
|
|||||
| Jon Racherbaumer | Coda | 2017 |
Facsimile
(Issue 6)
|
|||||
| Introduction | 2017 | |||||||
| Jamy Ian Swiss | Introduction | 2017 | ||||||
| Andi Gladwin | Foreword | 2017 | ||||||
| Benjamin Earl | Introduction | 2017 | ||||||
| Benjamin Earl | In Closing | 2017 | ||||||
| Benjamin Earl | Real Magic | 2017 | ||||||
| Benjamin Earl | Using Flow Drills to Practice | 2017 | ||||||
| Benjamin Earl | Final Thoughts | 2017 | ||||||
| John Guastaferro | Being En Route | 2017 | ||||||
| John Guastaferro | A Successful Landing | 2017 | ||||||
| Jack Carpenter | Dedication | 2017 | ||||||
| Jack Carpenter | Acknowledgements | 2017 | ||||||
| Darwin Ortiz | Foreword | 2017 | ||||||
| Jack Carpenter | Introduction | 2017 | ||||||
| Adrian Vega | Introducción | 2017 | ||||||
| Adrian Vega | Despedida y juego final | 2017 | ||||||
| Adrian Vega | No es un adiós... | 2017 | ||||||
| Lance Pierce | Foreword | 2017 | ||||||
| Ryan Plunkett, Michael Feldman | Introduction | 2017 | ||||||
| Ryan Plunkett, Michael Feldman | Triumph: An Introduction | 2017 | ||||||
| Ryan Plunkett, Michael Feldman | Epilogue | 2017 | ||||||
| Mike Pisciotta | Foreword | 2017 | ||||||
| Paul Vigil | Introduction | 2017 | ||||||
| Paul Vigil | Closing | 2017 | ||||||
| Paul Vigil | Acknowledgements | 2017 | ||||||
| Ryan Schlutz | Introduction | 2017 | ||||||
| Tyler Wilson | Intro | 2017 | ||||||
| Ryan Schlutz | Introduction | 2017 | ||||||
| Juha-Matti Ristiharju | Foreword | 2017 | ||||||
| Harapan Ong | Preface: What is Wabi-Sabi? | 2017 | ||||||
| Michael Weber | Legal Notice | 2017 | ||||||
| Tomoya Horiki | Introduction (はじめに) | 2017 | ||||||
| Tomoya Horiki | Acknowledgements (謝辞) | 2017 | ||||||
| 殷欣 (Sion) | 前言 | 2017 | ||||||
| 殷欣 (Sion) | 结语 | 2017 | ||||||
| 殷欣 (Sion) | 无我 | 2017 | ||||||
| 殷欣 (Sion) | 鸣谢 | 2017 | ||||||
| 殷欣 (Sion) | 鸣谢 | 2017 | ||||||
| 殷欣 (Sion) | 后记 | 2017 | ||||||
| "Magic" Christian Stelzel | Thanks to... | 2017 | ||||||
| "Magic" Christian Stelzel | Foreword | 2017 | ||||||
| Bob Farmer | Part One: The System Explained | 2017 | ||||||
| Bob Farmer | Part Two: The Math Explained | 2017 | ||||||
| Bob Farmer | Part Three: Tsunami - A Tidal Wave of Deception Drowning a World of Truth | 2017 | ||||||
| Bob Farmer | The very First Flim-Flam Consumer Alert!!! | 2017 | ||||||
| Bob Farmer | The Bammo Tarodiction Toolbox Addendum #1 | 2017 |
The Bammo Tarodiction Toolbox
(Issue Addendum #1)
|
|||||
| Bob Farmer | The Bammo Tarodiction Toolbox Addendum #2 | 2017 |
The Bammo Tarodiction Toolbox
(Issue Addendum #2)
|
|||||
| Bob Farmer | The Bammo Tarodiction Toolbox Addendum #3 | 2017 |
The Bammo Tarodiction Toolbox
(Issue Addendum #3)
|
|||||
| Bob Farmer | Introduction | 2017 | ||||||
| Jörg Alexander Weber | At the Crossing | 2017 | ||||||
| Jörg Alexander Weber | Epilog | 2017 | ||||||
| Allan Hagen | Foreword | 2017 | ||||||
| Allan Hagen | Special Thanks | 2017 | ||||||
| Allan Hagen | Foreword | 2017 | ||||||
| Allan Hagen | Thanks and Acknowledgements | 2017 | ||||||
| Michael Feldman | Introduction | 2017 | ||||||
| Yohei Kawabata | Introduction | 2017 | ||||||
| Yohei Kawabata | Ending | 2017 | ||||||
| Ricky Smith | Introduction | 2017 | ||||||
| Ricky Smith | Am Impractical Punch For Aggressive Gentlemen - Introduction | 2017 | ||||||
| Ricky Smith | Conclusion | 2017 | ||||||
| Ricky Smith | Acknowledgements | 2017 | ||||||
| Philipp Ganglberger | Introduction to B2 | 2017 | ||||||
| Harry Lorayne | Foreword | 2017 | ||||||
| Harry Lorayne | Ramblings | 2017 | ||||||
| Harry Lorayne | Last Word | 2017 | ||||||
| Ondřej Pšenička | Acknowledgements | 2017 | ||||||
| Ondřej Pšenička | Card Reversals | 2017 | ||||||
| Ondřej Pšenička | Sorting the Deck in Front of the Audience | 2017 | ||||||
| Ondřej Pšenička | Routines | 2017 | ||||||
| Ondřej Pšenička | Afterword | 2017 | ||||||
| Edo Huang | Hello Again | 2017 | ||||||
| Edo Huang | It's Time to go Out and Start Performing! | 2017 | ||||||
| Michael Weber | Please Note | 2017 | ||||||
| Chris Rawlins | Introduction | 2017 | ||||||
| Juan Villarejo | Introducción | 2017 | ||||||
| 张国洲 Jojo | 前言 | 2017 | ||||||
| Alexander de Cova | Vorwort | 2017 | ||||||
| R. Paul Wilson | Foreword | 2017 | ||||||
| R. Paul Wilson | Foreword | 2017 | ||||||
| R. Paul Wilson | Foreword | 2017 | ||||||
| Steve Beam | Introduction | 2017 | ||||||
| Jamy Ian Swiss | He Was That Good | 2017 | ||||||
| Stephen Hobbs | Two Passes | June 2017 |
Genii
(Vol. 80 No. 6)
|
|||||
| John Guastaferro | Magic of Bébel | Oct. 2017 |
Genii
(Vol. 80 No. 10)
|
|||||
| Andy Nyman | Foreword | 2017 | ||||||
| Anthony Owen | Introduction | 2017 | ||||||
| Jamy Ian Swiss | Acknowledgements | 2017 | ||||||
| Adam Gopnik | Foreword | 2017 | ||||||
| Jamy Ian Swiss | Presto Magic | 2017 | ||||||
| Roberto Giobbi | Prólogo | 2017 | ||||||
| Guy Hollingworth | Prólogo | 2017 | ||||||
| Roberto Mansilla | Introducción | 2017 | ||||||
| Michael Powers | Read This Foreword | 2017 | ||||||
| Patrick G. Redford | Introduction: Redford Stack | 2017 | ||||||
| Áriston | Prólogo | 2017 | ||||||
| Joshua Jay, Andi Gladwin | Welcome | 2017 | ||||||
| Alexander de Cova | Ein paar Worte zuvor... | 2017 | ||||||
| Ross Johnson | Foreword | 2017 | ||||||
| Steve "Banachek" Shaw | Foreword | 2017 | ||||||
| Gerry McCambridge | Preface | 2017 | ||||||
| Gerry McCambridge | Introduction | 2017 | ||||||
| Tom Stone | Foreword | 2017 | ||||||
| Tom Stone | Final Words | 2017 | ||||||
| Josh Janousky | Introduction | 2017 | ||||||
| Mac King | Foreword | 2017 | ||||||
| Lawrence Hass | Introduction | 2017 | ||||||
| Lawrence Hass | Preface | 2017 | ||||||
| Lawrence Hass | Preface | 2017 | ||||||
| Derren Brown | Afterword | 2017 | ||||||
| Michał Kociołek | Introduction | 2017 | ||||||
| Andi Gladwin | Outro | 2017 | ||||||
| Jim Steinmeyer | Introduction | 2017 | ||||||
| Joseph Barry, John Cottle | Welcome | Dec. 2018 |
Operandi
(Issue 4)
|
|||||
| John Hostler | Prologue | 2018 | ||||||
| John Hostler | Epilogue | 2018 | ||||||
| Mike Helmer | Credits & Acknowledgements | Apr. 2018 |
Elixir
(Vol. 1 No. 4 (Spring #1))
|
|||||
| Jamy Ian Swiss | Foreword: My Life and Times with Johnny Thompson | 2018 |
The Magic of Johnny Thompson
(Issue 1)
|
|||||
| Teller | Introduction: Becoming Tomsoni | 2018 |
The Magic of Johnny Thompson
(Issue 1)
|
|||||
| Lance Burton | Foreword: Learning from the Master | 2018 |
The Magic of Johnny Thompson
(Issue 2)
|
|||||
| Levent Cimkentli | Introduction: My Mentor | 2018 |
The Magic of Johnny Thompson
(Issue 2)
|
|||||
| Johnny Thompson | The Final Word: All of It | 2018 |
The Magic of Johnny Thompson
(Issue 2)
|
|||||
| Jamy Ian Swiss | Acknowledgements | 2018 |
The Magic of Johnny Thompson
(Issue 2)
|
|||||
| David Blaine | Foreword | 2018 | ||||||
| Asi Wind | Preface | 2018 | ||||||
| Asi Wind | Afterword | 2018 | ||||||
| Denis Behr | Acknowledgements | 2018 | ||||||
| David Williamson | Foreword | 2018 | ||||||
| Denis Behr | Introduction | 2018 | ||||||
| Denis Behr | Epilogue | 2018 | ||||||
| Henry Veltensieg | Einige Worte von Henry Veltensieg | 2018 | ||||||
| Mario Schulte | Vorwor von Mario Schule | 2018 | ||||||
| Christoph Borer | Ein paar einleitende Gedanken | 2018 | ||||||
| Christoph Borer | Schlusswort | 2018 | ||||||
| Tom Rose | Introduction | 2018 | ||||||
| Philipp Ganglberger | Zu Beginn | 2018 | ||||||
| David Regal | On Brother John Hamman | 2018 | ||||||
| Steve Reynolds | Introduction | 2018 | ||||||
| Ryan Schlutz | Introduction | 2018 | ||||||
| Christian Scherer | Einleitung | 2018 | ||||||
| Tino Plaz | Vorwort | 2018 | ||||||
| Tino Plaz | Danke | 2018 | ||||||
| Juan Tamariz | Foreword - Growth and transformation | 2018 | ||||||
| Benjamin Earl | Preface | 2018 | ||||||
| Benjamin Earl | Endnotes | 2018 | ||||||
| Eric Stevens | Foreword | 2018 | ||||||
| Dani DaOrtiz | Introduction | 2018 | ||||||
| Dani DaOrtiz | Final Notes | 2018 | ||||||
| Joshua Jay | Foreword | 2018 | ||||||
| Harapan Ong | Introduction | 2018 | ||||||
| Harapan Ong | Extensions on the Aronson "Heads Over Heels" Move | 2018 | ||||||
| Harapan Ong | Throwaway Tricks | 2018 | ||||||
| Xiaobo Zhou | 序言 | 2018 | ||||||
| Dongyan Zhang | 作者序 | 2018 | ||||||
| Tomoya Horiki | まえがき | 2018 | ||||||
| Tomoya Horiki | Toss Vanish 2.0 | 2018 | ||||||
| Tomoya Horiki | あとがき | 2018 | ||||||
| Michael Vincent | Foreword | 2018 | ||||||
| Jason Ladanye | Introduction | 2018 | ||||||
| Jason Ladanye | Acknowledgements | 2018 | ||||||
| David Solomon | Solomon's Mind | 2018 | ||||||
| Jon Racherbaumer | Introduction | 2018 | ||||||
| Sungwon Kim | Preface | 2018 | ||||||
| Marko | Prólogo de Marko | 2018 | ||||||
| Merpin | Prólogo de Merpin | 2018 | ||||||
| Ignacio López | Declaración del Autor - Permiso, Perdón y Gracias | 2018 | ||||||
| Ignacio López | Epílogo - Pintarse a Sí Mismo | 2018 | ||||||
| Alexander Hansford | Intro | 2018 | ||||||
| Ryan Murray | Acknowledgements | 2018 | ||||||
| Ryan Murray | Introduction | 2018 | ||||||
| Pablo Zanatta | Prólogo de Pablo Zanatta | 2018 | ||||||
| Ignacio López | ¿Por qué los Naipes? | 2018 | ||||||
| Ignacio López | Epílogo | 2018 | ||||||
| Tom Dobrowolski | Foreword | 2018 | ||||||
| Jeremiah Zuo | Introduction | 2018 | ||||||
| Jeremiah Zuo | Final Words | 2018 | ||||||
| Mark Traversoni | Foreword | 2018 | ||||||
| Joel Dickinson | Introduction | 2018 | ||||||
| John Morton | Introduction | 2018 | ||||||
| Kieron Johnson | Introduction | 2018 | ||||||
| Kieron Johnson | Final Thoughts and Thanks | 2018 | ||||||
| Marc Kerstein | Intro | 2018 | ||||||
| Marc Kerstein | Bonus Tricks & Making Your Own | 2018 | ||||||
| Marc Kerstein | Finally | 2018 | ||||||
| Steve Beam | Intro | 2018 | ||||||
| Harry Lorayne | Foreword | 2018 | ||||||
| Harry Lorayne | Last Word | 2018 | ||||||
| Patrick G. Redford | Weightless | 2018 | ||||||
| Joshua Jay, Andi Gladwin | Evergreen: Introduction | 2018 | ||||||
| Steve Cohen | Introduction | 2018 | ||||||
| Joshua Jay, Andi Gladwin | A, B, Z's of Magic: Introduction | 2018 | ||||||
| Rob Zabrecky | Introduction | 2018 | ||||||
| Joshua Jay | Diary of a Prison Magician: Introduction | 2018 | ||||||
| Introduction | 2018 | |||||||
| Joshua Jay, Andi Gladwin | Dying to Change: Introduction | 2018 | ||||||
| Lawrence Hass | Something Happened | 2018 | ||||||
| Joshua Jay, Andi Gladwin | The Trickster Spirit: Introduction | 2018 | ||||||
| Robert E. Neale | Three Tall Tales | 2018 | ||||||
| Alexander de Cova | Wie alles begann | 2018 | ||||||
| Alexander de Cova | Was ist der Wäscheklammeraustausch? | 2018 | ||||||
| Alexander de Cova | Tricks | 2018 | ||||||
| Steve Beam | Spoiler Alert | 2018 | ||||||
| Andi Gladwin | The First Rule of Sleight Club… | 2018 | ||||||
| Alexander de Cova | Ein paar Worte zuvor | 2018 | ||||||
| Michał Kociołek | Introduction | 2018 | ||||||
| Joaquín Matas | Prólogo | 2018 | ||||||
| Alberto de Figueiredo | Introducción | 2018 | ||||||
| Tony Cabral | Foreword | 2019 | ||||||
| Steve Reynolds | Introduction | 2019 | ||||||
| Jan Logemann | Moin, Ihr Lieben! | 2019 | ||||||
| Harapan Ong | Introduction | 2019 | ||||||
| Harapan Ong | Memorizing a Deck | 2019 | ||||||
| Harapan Ong | Features | 2019 | ||||||
| Harapan Ong | One Final Note | 2019 | ||||||
| Harapan Ong | Recommended Reading | 2019 | ||||||
| Matt Baker | Introduction | 2019 | ||||||
| Matt Baker | Prologue | 2019 | ||||||
| Matt Baker | Acknowledgements | 2019 | ||||||
| Matt Baker | Variations Part II (The Buena Vista Shuffle Club) | 2019 | ||||||
| Matt Baker | Variations Part III (The Buena Vista Shuffle Club) | 2019 | ||||||
| Matt Baker | Quick Reference Guide | 2019 | ||||||
| Markus Beldig | Introduction / Acknowledgements | 2019 | ||||||
| Markus Beldig | Introduction - Acknowledgements | 2019 | ||||||
| Helge Thun | Vorwort | 2019 | ||||||
| Alexander Hansford | Justin Higham | 2019 |
The Neat Review
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| Alexander Hansford | Rory Adams | 2019 |
The Neat Review
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| Alexander Hansford | Alexander Hansford | 2019 |
The Neat Review
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| Alexander Hansford | Paavan Buddhdev | 2019 |
The Neat Review
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| Alexander Hansford | Andrew Frost | 2019 |
The Neat Review
(Issue 1 - London 2019)
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| Alexander Hansford | Stephen Long | 2019 |
The Neat Review
(Issue 1 - London 2019)
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| To Close | 2019 |
The Neat Review
(Issue 1 - London 2019)
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| Alexander Hansford | Vera Tobin | 2019 |
The Neat Review
(Issue 2 - New York City 2019)
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| Alexander Hansford | Eric Hu | 2019 |
The Neat Review
(Issue 2 - New York City 2019)
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| Alexander Hansford | Éireann Leverett | 2019 |
The Neat Review
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| Alexander Hansford | Tatanka Tan | 2019 |
The Neat Review
(Issue 2 - New York City 2019)
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| Alexander Hansford | Ricky Smith / Benjamin Pratt | 2019 |
The Neat Review
(Issue 2 - New York City 2019)
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| Alexander Hansford | Tony Chang | 2019 |
The Neat Review
(Issue 2 - New York City 2019)
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| Alexander Hansford | Asi Wind | 2019 |
The Neat Review
(Issue 2 - New York City 2019)
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| Alexander Hansford | To Close | 2019 |
The Neat Review
(Issue 2 - New York City 2019)
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| Allan Ackerman | Foreword | 2019 | ||||||
| Patrick J. Differ | Introduction | 2019 | ||||||
| Michał Kociołek | Introduction | 2019 | ||||||
| Ignacio López | Prelude | 2019 | ||||||
| Ignacio López | Epilogue | 2019 | ||||||
| Roberto Giobbi | Préface | 2019 | ||||||
| Alain Poussard | Introduction | 2019 | ||||||