introduction \n \n james steranko
1962
James Steranko
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Introduction
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8
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the ultimate move \n chapter intro \n james steranko
1962
James Steranko
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The Ultimate Move
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9
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the ultimate move \n on estimating cuts by sight \n james steranko \n first method: the comparison method \n edward marlo
1962
James Steranko
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The Ultimate Move
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Related to
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10
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habit cut \n small cut with fingertips is always of the same approximate size \n james steranko
1962
James Steranko
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Habit Cut
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11
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thumbnail gauge \n \n unknown \n the zingone thumbnail gauge \n louis zingone
1962
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Thumbnail Gauge
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Related to
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11
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the study of card spelling \n knowing which cards spell with how many letters \n james steranko
1962
James Steranko
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The Study of Card Spelling
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14
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ultimation \n some more comments on estimating a spectator's cut
- partial judgment vs. total judgment (packet pulled out of center)
- delayed completion \n james steranko
1962
James Steranko
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Ultimation
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14
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part one \n spectator cuts anywhere, remembers bottom card and replaces, then cuts again, performer takes cards behind back, then spectator spells out his card, including one additional cut in the estimation \n james steranko
1962
James Steranko
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Part One
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15
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part two \n spectator cuts anywhere, remembers bottom card and replaces, then cuts again as often as he likes, deck spread face up and performer finds card \n james steranko \n key card plus estimation: second method \n edward marlo \n plus one \n james steranko
1962
James Steranko
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Part Two
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Related toVariations
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16
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part three \n two cards selected by cutting off packets, all assembled and cut a few times, performer finds cards \n james steranko \n key card plus estimation: fourth method \n edward marlo
1962
James Steranko
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Part Three
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Related to
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17
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plus one \n spectator cuts anywhere, remembers bottom card and replaces, gives deck a riffle shuffle, performer finds card \n james steranko \n part two \n james steranko \n key card plus estimation: eleventh method \n edward marlo
1962
James Steranko
|
Plus One
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Inspired byRelated to
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17
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technotes \n chapter intro, "technique tomorrow" is heading according to genii review \n james steranko
1962
James Steranko
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Technotes
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21
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the gentle touch \n deck thrown on table so it spreads, spectator takes a card, either force or two key cards, toss force \n james steranko \n "the touch" (james steranko, genii, jan. 1962, p. 191) \n the dual crimp \n dai vernon
1962
James Steranko
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The Gentle Touch
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Inspired by- "The Touch" (James Steranko, Genii, Jan. 1962, p. 191)
Related to
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22
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force of evil \n spectator cuts the deck and remembers bottom card, performer divines it, risky, with location as out \n james steranko
1962
James Steranko
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Force of Evil
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24
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take five \n spectator removes any five cards, remembers one and performer divines it, risky \n james steranko
1962
James Steranko
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Take Five
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25
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pile of trouble \n deck with in-jogged card dribbled on table, then checkerino to apparently square cards and control selection \n james steranko \n "checkerino" (james steranko, genii, june 1961, p. 411)
1962
James Steranko
|
Pile of Trouble
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Related to- "Checkerino" (James Steranko, Genii, June 1961, p. 411)
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27
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e=mc<sup>2</sup> \n fingertip peek control with bridge \n james steranko \n the crimp - d.f.c. \n edward marlo \n third method \n t. nelson downs
1962
James Steranko
|
E=MC2
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Related to
|
28
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psycussion \n saliva put on selection during peek procedure, not for vanish but identification \n james steranko \n vernon's peek card vanish \n dai vernon \n the variant fingertip peek \n edward marlo
1962
James Steranko
|
Psycussion
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Related to
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29
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kinetic energy \n fingertip peek, method to make the selection move to an in-jogged position, then nail nick \n james steranko
1962
James Steranko
|
Kinetic Energy
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31
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impact \n fingertip peek, left third fingernail enters break briefly, nicks card and break is lost \n james steranko
1962
James Steranko
|
Impact
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32
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impulse \n fingertip peek, left third fingernail holds break \n james steranko \n a new peek control \n dai vernon
1962
James Steranko
|
Impulse
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Related to
|
34
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influence \n in demo riffle a card is nail nicked and peeked, then it is forced in fingertip peek position \n james steranko \n second method \n edward marlo \n sixth method - tilt glimpse \n edward marlo
1962
James Steranko
|
Influence
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Related to
|
36
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further adventures of the lateral palm \n introduction \n james steranko
1962
James Steranko
|
Further Adventures of the Lateral Palm
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41
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lateral bottom palm \n deck held in right hand end grip and taken with left hand, bottom card palmed in right hand later palm \n james steranko
1962
James Steranko
|
Lateral Bottom Palm
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41
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one-eyed jacks \n selection placed between two jacks and put on table, sandwich changes into three aces and original sandwich found reversed in the deck \n james steranko
1962
James Steranko
|
One-Eyed Jacks
|
45
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|
lateral bottom block palm \n bottom cards twisted inwards and moved into right-hand lateral palm \n james steranko
1962
James Steranko
|
Lateral Bottom Block Palm
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46
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|
lateral palm packet switch \n \n james steranko
1962
James Steranko
|
Lateral Palm Packet Switch
|
46
|
|
book break turnover \n \n unknown
1962
|
Book Break Turnover
|
47
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|
tabled lateral palm replacement into center \n palmed cards inserted into center of tabled deck \n james steranko
1962
James Steranko
|
Tabled Lateral Palm Replacement into Center
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52
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|
monte classica \n ten through king of spades cards change into four jokers one by one, then back \n james steranko
1962
James Steranko
|
Monte Classica
|
53
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|
display sequence and addition \n top cards turned over one by one and taken into right-hand end grip, card added with last shown card \n james steranko
1962
James Steranko
|
Display Sequence and Addition
|
53
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|
push-off count \n into fan configuration \n unknown
1962
|
Push-Off Count
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54
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|
plunger move \n some cards in ladder configuration, top one is a double, it is apparently dealt off but bottom card of double is left behind squared with next card \n james steranko
1962
James Steranko
|
Plunger Move
|
66
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|
lateral card change nr. 1 \n starts with double, face-card stolen into lateral palm \n james steranko
1962
James Steranko
|
Lateral Card Change Nr. 1
|
69
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|
blackjaq \n three transpositions, using only two cards apparently, lateral palm and duplicate \n james steranko \n the jumping jack \n dai vernon
1962
James Steranko
|
Blackjaq
|
Inspired by
|
73
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|
one hand flourish deal \n as in chinese second deal \n unknown
1962
|
One Hand Flourish Deal
|
73
|
|
end grip glide \n with three-card packet \n unknown
1962
|
End Grip Glide
|
74
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|
one-handed double revolve \n double pivoted over with first finger between tips of thumb and second finger and both long sides \n james steranko
1962
James Steranko
|
One-Handed Double Revolve
|
74
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|
lateral card change nr. 2 \n starts and ends with double \n james steranko
1962
James Steranko
|
Lateral Card Change Nr. 2
|
75
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|
wheelin' and dealin' \n chapter intro \n james steranko
1962
James Steranko
|
Wheelin' and Dealin'
|
83
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|
the crossfire deal \n one-handed flourish deal in which top card spins out \n james steranko \n backfired \n james steranko \n blues up and down \n james steranko
1962
James Steranko
|
The Crossfire Deal
|
Variations
|
83
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|
backfired \n second deal with crossfire deal \n james steranko \n the crossfire deal \n james steranko
1962
James Steranko
|
Backfired
|
Inspired by
|
85
|
|
blues up and down \n stud-deal handling of crossfire deal \n james steranko \n the crossfire deal \n james steranko
1962
James Steranko
|
Blues Up and Down
|
Inspired by
|
85
|
|
dial "a" for action \n intro to chapter of techniques, "parable of action" is heading according to genii review \n james steranko
1962
James Steranko
|
Dial "A" For Action
|
89
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|
the new approach \n card ends in-jogged \n james steranko \n diagonal jog push thru \n james steranko
1962
James Steranko
|
The New Approach
|
Inspired by
|
89
|
|
third-level \n card inserted into deck, deck is held with one side against table, table is responsible for pivoting card out perpendicular, it is moved out and deck dropped on top, control to bottom \n james steranko \n rebound \n james steranko \n boomerang \n james steranko \n stiletto \n james steranko
1962
James Steranko
|
Third-Level
|
Variations
|
90
|
|
rebound \n variation in which card is moved out face-up and deck dropped on top face up, control to top \n james steranko \n third-level \n james steranko
1962
James Steranko
|
Rebound
|
Inspired by
|
94
|
|
boomerang \n multiple shift variation \n james steranko \n third-level \n james steranko
1962
James Steranko
|
Boomerang
|
Inspired by
|
94
|
|
stiletto \n another multiple shift variation \n james steranko \n third-level \n james steranko
1962
James Steranko
|
Stiletto
|
Inspired by
|
96
|
|
night shift \n card inserted into tabled deck in riffle shuffle position, pivoted out and to the bottom secretly \n james steranko \n roundabout midnight \n james steranko \n quarter to three \n james steranko
1962
James Steranko
|
Night Shift
|
Variations
|
96
|
|
roundabout midnight \n card ends up reversed on the bottom \n james steranko \n night shift \n james steranko
1962
James Steranko
|
Roundabout Midnight
|
Inspired by
|
100
|
|
quarter to three \n variation in which card ends up second from top \n james steranko \n night shift \n james steranko
1962
James Steranko
|
Quarter to Three
|
Inspired by
|
100
|
|
ocellus \n color reflects on back of other card, color separation, also in peek position to see full index reflection \n james steranko \n color eliminator \n edward marlo
1962
James Steranko
|
Ocellus
|
Related to
|
105
|
|
dimensia \n featuring partial clocking of a block of consecutive cards (the dimensia group)
- part one (free selection placed into that dimensia group is found)
- part two (card selected from dimensia group and displaced is found)
- part three (more elaborate selection procedure, a few cards end up tabled and deck shuffled face-up/face-down) \n james steranko \n moe's move-a-card in "moe and his miracles with cards" \n blocking \n karl fulves \n fractional counts \n karl fulves
1962
James Steranko
|
Dimensia
|
Related to
|
113
|
|